{"id":466,"date":"2005-12-03T19:40:02","date_gmt":"2005-12-04T00:40:02","guid":{"rendered":"\/?p=466"},"modified":"2005-12-06T13:14:05","modified_gmt":"2005-12-06T18:14:05","slug":"tracking-content","status":"publish","type":"post","link":"https:\/\/blog.rebang.com\/?p=466","title":{"rendered":"Tracking Content"},"content":{"rendered":"<p>Since I&#8217;m unable to comment on the BusinessWeek <a href=\"http:\/\/www.businessweek.com\/the_thread\/blogspotting\/archives\/2005\/12\/ways_to_track_i.html\">blog entry<\/a>, I&#8217;ll post my response here. Here&#8217;s the question posed by Heather Green: <\/p>\n<blockquote><p>Is there a way to track the growth of the creation and distribution online of music, videos, audio shows from individuals (outside the walls of the traditional studios, networks, and labels)?<\/p><\/blockquote>\n<p>I don&#8217;t see a way at present to track this growth (which means tracking the content itself), but this seems related to something I posted a few days ago: &#8220;<a href=\"http:\/\/blog.rebang.com\/index.php?p=459\">Backdoor Content Channels<\/a>&#8220;.<\/p>\n<p>If virtual spaces (MySpace, CyWorld, aso) continue to morph into suites of hosted services, I suspect those services will wind up tracking the content users <em>make available<\/em> to others. Currently that would primarily be text, graphics, music, video. But as these virtual spaces become increasingly immersive, I see it including 3D content; files for use in 3D virtual spaces or for actual fabrication.<\/p>\n<p>The real problem in my opinion is determining which content is original and which is copied or pirated. People already make lots of stuff &#8220;available&#8221; that they didn&#8217;t create. And I&#8217;d guess a significant portion of them would rather that no one know;  look at the creative names people use for copied music in order to avoid anti-piracy efforts. So beyond the technical issue of tracking and cataloguing, there&#8217;s community resistance.  It <strong>is<\/strong> a tough nut. And it&#8217;s going to get worse .<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since I&#8217;m unable to comment on the BusinessWeek blog entry, I&#8217;ll post my response here. Here&#8217;s the question posed by Heather Green: Is there a way to track the growth of the creation and distribution online of music, videos, audio &hellip; <a href=\"https:\/\/blog.rebang.com\/?p=466\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-466","post","type-post","status-publish","format-standard","hentry","category-administrative"],"_links":{"self":[{"href":"https:\/\/blog.rebang.com\/index.php?rest_route=\/wp\/v2\/posts\/466","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.rebang.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.rebang.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.rebang.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.rebang.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=466"}],"version-history":[{"count":0,"href":"https:\/\/blog.rebang.com\/index.php?rest_route=\/wp\/v2\/posts\/466\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.rebang.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=466"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.rebang.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=466"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.rebang.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=466"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}